Miko est une lycéenne tout à fait normale, jusqu’au jour où elle obtient l’étrange capacité de voir les monstres et les fantômes. Véritables visions d’horreurs, la jeune fille fait tout son possible pour garder son calme et ignorer ces terribles créatures toutes plus monstrueuses les unes que les autres. Pourtant bien des secrets se cachent dans le monde invisible, et Miko risq...(展开全部)

Miko est une lycéenne tout à fait normale, jusqu’au jour où elle obtient l’étrange capacité de voir les monstres et les fantômes. Véritables visions d’horreurs, la jeune fille fait tout son possible pour garder son calme et ignorer ces terribles créatures toutes plus monstrueuses les unes que les autres. Pourtant bien des secrets se cachent dans le monde invisible, et Miko risq...(展开全部)

泉朝樹 日本漫畫家。曾以《ネンドウ》獲得「Jump十二傑新人漫畫賞」十二傑賞。

KurAzu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: "uzumaki," the spiral, the hypnotic secret shape of the world. It manifests itself in small ways: seashells, ferns, whirlpools in water, whirlwinds in air. And in large...(展开全部)

Labyrinth 1 is an intricate structure of intercommunicating passages, through which it is difficult to find one's way without a clue; a maze. They have never met, they have been assigned strange pseudonyms, they inhabit identical rooms, which open out onto very different landscapes, and they have entered into a dialogue, which they cannot escape - a discourse defined and destro...(展开全部)

The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central moti...(展开全部)

Bernard Faure examines the study of Chan / Zen from the standpoint of postmodern human sciences and literary criticism, challenging this inversion of traditional 'Orientalist' discourse: whether the Other is caricatured or idealized, ethnocentric premises marginalize important parts of Chan thought.

Bernard Faure examines the study of Chan / Zen from the standpoint of postmodern human sciences and literary criticism, challenging this inversion of traditional 'Orientalist' discourse: whether the Other is caricatured or idealized, ethnocentric premises marginalize important parts of Chan thought.

(全一冊) 小圓與花心成性的男友富夫一起私奔，過著兩人世界的生活，想不到富夫卻不知為何躲進被窩裡不肯出來，他究竟看到了什麼……？歷史悠久的木造房屋，一天來了一名自稱就讀建築系的女子開口閉口就誇讚這屋子很性感的女子，究竟是什麼人物？伊藤潤二繼前作「新闇之聲‧潰談」後，睽違８年才推出的全新恐怖漫畫短篇集！本書同時收錄於其他雜誌連載的「耳語女」。

Joel Townsley Rogers is best known for his classic thriller, THE RED RIGHT HAND, which has been in print since its first publication in 1945. But he was also one of the great short story writers of the pulp era and now, for the first time, Barry Warren has collected seven of his best stories. Most of the stories are about mystery writers and their struggle to get published -- o...(展开全部)